LAST NEWS
The aerospace future is embracing the hybrid technology, but not as you think
Quick question
Why Full Electric is not yet competitive at all with conventional thermal engines? Simply because the energy density ratio between jet A1 fuel and the best battery in the market is 1 to 30. Means that the energy stored in a kg of jet fuel needs to be replaced with 30kg of battery. So the ‘fuel’ will weight 30 times the current one.
Quick conclusion
If we want to build a full electric airplane, and we expect to have the same range of a normal jet airplane replòacing the thermal engine with electric engine… simply we will build an airplane that cannot fly because its weight is over what it can lift up.
By the way
Some innovations are anyway possible, like the one we are bringing ahead, in order to increase the efficiency of the current state of the art, like using system able to convert all the energy wasted in heat, turbulences, and other in electric energy available for the services.
Stay tunes to know more….
AVATAR Recycled Carbon Artwork
Fine Art Collection: the WhiteBlood ‘Napster’
AVATAR the new recycled carbon artwork
Sergio Durante reveals the new fine artworks totally handmade on recycled carbon fibres
1 December 2022
The background
As already highlighted in the Napster, man is, at the same time, a fugitive from danger but greedy for gains. The creepy AVATAR represents, at the same time, a virtuosity in the processing of recycled carbon fibers, and an extremely impressive and visually powerful work. Entirely made of recycled carbon, it rests on another carbon work that develops vertically in three dimensions.
The meaning
The AVATAR, as a mask and disguise for which anyone can be anything, may appear to be an instrument of freedom, revenge and catharsis. But no: it imprisons and forces us into a false and inconsistent reality. In his investigation, White Blood reveals the deception and through art staging the opposite process. It is the avatar, the fictional character who exists only in the metaverse, who now emerges to become more concrete and tangible than reality itself. The shapeless magma of carbon fiber lends itself perfectly to immortalizing the moment in which the lie is revealed and becomes a physical object by appropriating a material, recycled carbon, which belonged to something that is no longer in the world and which now adapts to represent an object of the imagination that comes to life.
WhiteBlood Foundation: ‘Pfizer Inc.’
Fine Art Collection: the WhiteBlood ‘Napster’
WhiteBlood ‘The Napster’
WhiteBlood Foundation reveals the new fine artworks totally handmade on recycled carbon fibres
16 July 2022
The background
As already highlighted in WhiteBlood Napster, man is, at the same time, a fugitive from danger but greedy for gains.
This is the principle underlying the analytical richness of the philosophy of the great Nicolo Machiavelli.
The dematerialization of wealth creates insecurity in man, but driven by greed, man is driven to ever more daring financial speculations which have been partially offset by the possession of objects representative of wealth such as shares in paper form.
The stock was the last bastion of a physical and material representation of wealth.
Paper that deprives goods, machinery, desks, men and women of matter and blood and which is definitively extinguished at the digital frontier, becoming simple information, shreds of bits supported by other shared substructures that are defined as real for this reason alone. , the fragile reality, therefore, the theme of the philosophical and artistic investigation of the WhiteBlood collective.
The collective exhumes the paper and the title, now devoid of any value and charges it with substance, art, color and human warmth and thus takes up materiality, strength, value, humanity, uniqueness, gravitational dance between opposite values that disorients, annihilates and that it evokes the primordial pheromone of possession, of control, an archaic thrust in the human being.
The paper thus returns to being real, in its ecosystem that actually brings back the value, the money, the work that that paper represented or claimed to represent.
The title had value because it represented a value recognized by the reference system. The stock title lives on today and becomes Art.
Art that takes on value and therefore returns to being a commodity and to be exchanged between collectors capable of grasping the multiple vibrations and conceptual alliterations that this Work can offer.
The meaning
Pfizer’s work is heavy, full of meaning, it represents dissolution and recomposition, it presents a point of contact with the title because art exists, if enjoyed, possessed, touched, exchanged.
And all these meanings seem compressed in the Work which is pushed, broken, compressed, closed, dissolved and reassembled with sudden and uncontrolled escapes.
the desire for contact and possession is also amplified by a lively, seething, erotic and rampant aesthetic.
Pfizer is the first work to be represented as a 9-piece original artwork from Pfizer Inc.
The present work “Pfizer Wall” which leads the collective to the creation of a wall dedicated to the pharmaceutical company Pfizer capable of offering a historical and current cross-section of contemporary society.
The wall will be composed of 9 original pieces and full of the artistic warmth of our collective of artists, researchers and craftsmen.