LAST NEWS
WhiteBlood Foundation: ‘Pfizer Inc.’
Fine Art Collection: the WhiteBlood ‘Napster’
WhiteBlood ‘The Napster’
WhiteBlood Foundation reveals the new fine artworks totally handmade on recycled carbon fibres
16 July 2022
The background
As already highlighted in WhiteBlood Napster, man is, at the same time, a fugitive from danger but greedy for gains.
This is the principle underlying the analytical richness of the philosophy of the great Nicolo Machiavelli.
The dematerialization of wealth creates insecurity in man, but driven by greed, man is driven to ever more daring financial speculations which have been partially offset by the possession of objects representative of wealth such as shares in paper form.
The stock was the last bastion of a physical and material representation of wealth.
Paper that deprives goods, machinery, desks, men and women of matter and blood and which is definitively extinguished at the digital frontier, becoming simple information, shreds of bits supported by other shared substructures that are defined as real for this reason alone. , the fragile reality, therefore, the theme of the philosophical and artistic investigation of the WhiteBlood collective.
The collective exhumes the paper and the title, now devoid of any value and charges it with substance, art, color and human warmth and thus takes up materiality, strength, value, humanity, uniqueness, gravitational dance between opposite values that disorients, annihilates and that it evokes the primordial pheromone of possession, of control, an archaic thrust in the human being.
The paper thus returns to being real, in its ecosystem that actually brings back the value, the money, the work that that paper represented or claimed to represent.
The title had value because it represented a value recognized by the reference system. The stock title lives on today and becomes Art.
Art that takes on value and therefore returns to being a commodity and to be exchanged between collectors capable of grasping the multiple vibrations and conceptual alliterations that this Work can offer.
The meaning
Pfizer’s work is heavy, full of meaning, it represents dissolution and recomposition, it presents a point of contact with the title because art exists, if enjoyed, possessed, touched, exchanged.
And all these meanings seem compressed in the Work which is pushed, broken, compressed, closed, dissolved and reassembled with sudden and uncontrolled escapes.
the desire for contact and possession is also amplified by a lively, seething, erotic and rampant aesthetic.
Pfizer is the first work to be represented as a 9-piece original artwork from Pfizer Inc.
The present work “Pfizer Wall” which leads the collective to the creation of a wall dedicated to the pharmaceutical company Pfizer capable of offering a historical and current cross-section of contemporary society.
The wall will be composed of 9 original pieces and full of the artistic warmth of our collective of artists, researchers and craftsmen.
Cesana Sestriere 2022 - Porsche GT3
Tests of the Porsche GT3 on Cesana Sestriere
We like to change every now and then. This year, as usual, we took part in the famous HillClimb Race Cesana Sestriere, but instead of using a real racing car, we opted for a pure sports car, the fantastic Porsche Gt3.
The Porsche 911 GT3 is a high-performance homologation model of the Porsche 911 sports car. It is a line of high-performance models, which began with the 1973 911 Carrera RS. The GT3 has had a successful racing career in the one-make national and regional Porsche Carrera Cup and GT3 Cup Challenge series, as well as the international Porsche Supercup supporting the FIA Formula 1 World Championship.
The car used in the climb has a 4.0 liter engine, 510 hp at 9000 rpm, an incredible sound and a racing car setup.
Driving impression
The first thing that you appreciate in the GT3 is the perfect seat position and alignment with the driving wheel. The driver position is comfortable and permit to concentrate on the driving.
Being a ‘almost’ racing test, first thing to appreciate is the launch control, that permit to leave the start line in a very effective way despite the still cold tyres. The rear tyres are kept by the electronic at the adherence limit to the ground and some skids happens but easy to control. At the first U-turn you understand that the brakes must be pressed with a lot of energy, but they are very effective, and the ABS intervention is very rare on the clean asphalt. The suspensions are very effective and the car does not show any disturbing roll and pitch.
The steering is direct and precise, very effective both on the slow and fast turn. Personally I would have keep a bit more distance, ergonomically speaking, between the gear pads and the other commands (turn lights and wipers). In fact, if you have big hands or wearing gloves the space is not enough.
The suspensions are excellent, in particular on this type of roads, used everyday by the normal traffic, so a bit bumpy and irregular.
The engine is powerful and very effective, specifically at high revs, over 5000 rpm. Personally I prefer to change manually the gears with the paddles shift, and i prefer to do it earlier than the 9000 rpm limit, to preserve a bit the stress on the mechanic. But this is the typical engineers paranoia :-). Sound is beautiful, metallic, very aggressive. And you can reach high speed very quickly.
Despite the test was carried out at high altitude, between 1000 and 2050 m over the sea level, the engine, atmospheric, was still pushing quite good. Of course the turbo version like the Porsche GT2 or Turbo are practically not affected by the altitude.
In conclusion a fantastic car, fast, very fast and pleasant to drive. Very similar to a race car, and very effective. In a timed test I think that can leave behind a lot of race cars.
WhiteBlood Foundation: ‘The Napster’
Fine Art Collection: the WhiteBlood ‘Napster’
WhiteBlood ‘The Napster’
WhiteBlood Foundation reveals the new fine artworks totally handmade on recycled carbon fibres
15 July 2022
Man is a fugitive from dangers but also greedy for gains. This is the principle underlying the analytical richness of Machiavelli’s philosophy.
The dematerialization of wealth creates insecurity in man but driven by greed, man is pushed to ever more daring financial speculations which were partly offset by the possession of objects representative of wealth such as shares in paper form.
The stock certificate was the last bastion of a physical and material representation of wealth.
Paper that deprives goods, machinery, desks, men and women of matter and blood and which is definitively extinguished at the digital frontier, becoming mere information, shreds of bits supported by other shared substructures that are defined as real for this reason alone. , the fragile reality, therefore, the theme of philosophical and artistic investigation of the collective WB.
WhiteBlood interpretation of the titles
The collective exhumes the paper and the title, now devoid of any value and charges it with substance, art, color and human warmth and thus takes back materiality, strength, value, humanity, uniqueness, gravitational dance between opposing values that disorients, annihilates and which evokes the primordial pheromone of possession, of control, an archaic thrust in the human being.
The paper thus becomes real again, in its ecosystem which brings back into reality the value, the money, the work that that paper represented or pretended to represent.
The title had value because it represented a value recognized by the reference system. The paper stock option today comes back to life and becomes Art.
Art that takes on value and therefore returns to being a commodity and to be exchanged between collectors capable of understanding the multiple vibrations and conceptual alliterations that this Work can offer.
The Meaning
The Napster work is heavy, full of meaning, it represents dissolution and recomposition, it presents a point of contact with the title because art exists, if enjoyed, possessed, touched, exchanged.
And all these meanings seem compressed in the Work that is pushed, broken, compressed, enclosed, dissolved and reassembled with sudden and uncontrolled escapes. The desire for contact and possession is also amplified by a lively, seething, erotic and rampant aesthetic.
Napster is the first work to be represented as a single work composed of the original stock of Napster Inc.
Napster, Inc. was a pioneer of music sharing via the internet, questioning the conceptual and legal framework within which the musical work was protected and the investigation of the collective lends itself to unleashing conceptual, legal and social reflections with their work. about the untouchability of the Art that Napster vainly sought to demolish.
Napster has spread the idea that art belongs to everyone and that the legal enclosures in which it is compressed are fallacious, fragile reference systems that need a total rethinking so that art returns to being vivid and alive.
Future work
The next work on the Pheromone theme is ‘Oil Art Wall’ already commissioned and which leads the collective to the creation of a wall dedicated to a famous Oil Company to recall the links to the Cracking art project.
The wall will be made up of 9 original pieces and loaded with artistic warmth from our collective of artists and craftsmen.
This will be followed by another work “Pfizer Wall” which leads the collective to the creation of a wall dedicated to the Pfizer Pharmaceutical company capable of offering a historical and current cross-section of contemporary society.
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