Fine Art Collection: the WhiteBlood ‘Napster’

WhiteBlood ‘The Napster’

WhiteBlood Foundation reveals the new fine artworks totally handmade on recycled carbon fibres

16 July 2022

The background

As already highlighted in WhiteBlood Napster, man is, at the same time, a fugitive from danger but greedy for gains.

This is the principle underlying the analytical richness of the philosophy of the great Nicolo Machiavelli.

The dematerialization of wealth creates insecurity in man, but driven by greed, man is driven to ever more daring financial speculations which have been partially offset by the possession of objects representative of wealth such as shares in paper form.
The stock was the last bastion of a physical and material representation of wealth.
Paper that deprives goods, machinery, desks, men and women of matter and blood and which is definitively extinguished at the digital frontier, becoming simple information, shreds of bits supported by other shared substructures that are defined as real for this reason alone. , the fragile reality, therefore, the theme of the philosophical and artistic investigation of the WhiteBlood collective.

The collective exhumes the paper and the title, now devoid of any value and charges it with substance, art, color and human warmth and thus takes up materiality, strength, value, humanity, uniqueness, gravitational dance between opposite values ​​that disorients, annihilates and that it evokes the primordial pheromone of possession, of control, an archaic thrust in the human being.

The paper thus returns to being real, in its ecosystem that actually brings back the value, the money, the work that that paper represented or claimed to represent.

The title had value because it represented a value recognized by the reference system. The stock title lives on today and becomes Art.

Art that takes on value and therefore returns to being a commodity and to be exchanged between collectors capable of grasping the multiple vibrations and conceptual alliterations that this Work can offer.

The meaning

Pfizer’s work is heavy, full of meaning, it represents dissolution and recomposition, it presents a point of contact with the title because art exists, if enjoyed, possessed, touched, exchanged.

And all these meanings seem compressed in the Work which is pushed, broken, compressed, closed, dissolved and reassembled with sudden and uncontrolled escapes.

the desire for contact and possession is also amplified by a lively, seething, erotic and rampant aesthetic.

Pfizer is the first work to be represented as a 9-piece original artwork from Pfizer Inc.

The present work “Pfizer Wall” which leads the collective to the creation of a wall dedicated to the pharmaceutical company Pfizer capable of offering a historical and current cross-section of contemporary society.

The wall will be composed of 9 original pieces and full of the artistic warmth of our collective of artists, researchers and craftsmen.