Ice Challenge 2023: D4S impressive results both in technology and sport!
2023: after years that we decided to support the fast growing International Championship Ice Challenge, we got excellent results, both from technology and sport point of view
Sergio Durante win for the third time and for the second consecutive year with a hybrid rally racing car.
The 2023 Ice Challenge season – International Ice Speed Championship is coming to an end. A really difficult season from the weather point of view, with alternating very cold and very hot temperatures with humidity, the maximum stress for the innovative technologies brought into the field by Durante Space Tech.
With three rounds held, the season is therefore preparing to formalize in its Hall of Fame the verdicts of an exciting and captivating challenge with equally spectacular challenges. Ivan Carmellino boasts of a new overall victory like Sergio Durante, Jean Claude Vallino and Simone Firenze respectively in the hybrid, SSV and 2WD car category.
“Thanks to the teams, the riders, the track managers – concluded BMG Motor Events and D4S Motorsport – to our staff, collaborators, sponsors and partners, to the accommodation facilities that have or should have hosted us. It’s hard to finish like this, but let’s go ahead and think about 2024 from today”.
5 races in Italy and France, new program to annex Austria and Finland in the next year, beautiful cars, famous drivers, television and internet covering.
These are just some of the motivation to push us to be involved in first person. Apart passion, of course…
Sergio Durante in action: photo by Alberto Caldani
Sergio Durante reveals the new fine artworks totally handmade on recycled carbon fibres
1 December 2022
The background
As already highlighted in the Napster, man is, at the same time, a fugitive from danger but greedy for gains. The creepy AVATAR represents, at the same time, a virtuosity in the processing of recycled carbon fibers, and an extremely impressive and visually powerful work. Entirely made of recycled carbon, it rests on another carbon work that develops vertically in three dimensions.
The meaning
The AVATAR, as a mask and disguise for which anyone can be anything, may appear to be an instrument of freedom, revenge and catharsis. But no: it imprisons and forces us into a false and inconsistent reality. In his investigation, White Blood reveals the deception and through art staging the opposite process. It is the avatar, the fictional character who exists only in the metaverse, who now emerges to become more concrete and tangible than reality itself. The shapeless magma of carbon fiber lends itself perfectly to immortalizing the moment in which the lie is revealed and becomes a physical object by appropriating a material, recycled carbon, which belonged to something that is no longer in the world and which now adapts to represent an object of the imagination that comes to life.
As already highlighted in WhiteBlood Napster, man is, at the same time, a fugitive from danger but greedy for gains.
This is the principle underlying the analytical richness of the philosophy of the great Nicolo Machiavelli.
The dematerialization of wealth creates insecurity in man, but driven by greed, man is driven to ever more daring financial speculations which have been partially offset by the possession of objects representative of wealth such as shares in paper form. The stock was the last bastion of a physical and material representation of wealth. Paper that deprives goods, machinery, desks, men and women of matter and blood and which is definitively extinguished at the digital frontier, becoming simple information, shreds of bits supported by other shared substructures that are defined as real for this reason alone. , the fragile reality, therefore, the theme of the philosophical and artistic investigation of the WhiteBlood collective.
The collective exhumes the paper and the title, now devoid of any value and charges it with substance, art, color and human warmth and thus takes up materiality, strength, value, humanity, uniqueness, gravitational dance between opposite values that disorients, annihilates and that it evokes the primordial pheromone of possession, of control, an archaic thrust in the human being.
The paper thus returns to being real, in its ecosystem that actually brings back the value, the money, the work that that paper represented or claimed to represent.
The title had value because it represented a value recognized by the reference system. The stock title lives on today and becomes Art.
Art that takes on value and therefore returns to being a commodity and to be exchanged between collectors capable of grasping the multiple vibrations and conceptual alliterations that this Work can offer.
The meaning
Pfizer’s work is heavy, full of meaning, it represents dissolution and recomposition, it presents a point of contact with the title because art exists, if enjoyed, possessed, touched, exchanged.
And all these meanings seem compressed in the Work which is pushed, broken, compressed, closed, dissolved and reassembled with sudden and uncontrolled escapes.
the desire for contact and possession is also amplified by a lively, seething, erotic and rampant aesthetic.
Pfizer is the first work to be represented as a 9-piece original artwork from Pfizer Inc.
The present work “Pfizer Wall” which leads the collective to the creation of a wall dedicated to the pharmaceutical company Pfizer capable of offering a historical and current cross-section of contemporary society.
The wall will be composed of 9 original pieces and full of the artistic warmth of our collective of artists, researchers and craftsmen.
Man is a fugitive from dangers but also greedy for gains. This is the principle underlying the analytical richness of Machiavelli’s philosophy.
The dematerialization of wealth creates insecurity in man but driven by greed, man is pushed to ever more daring financial speculations which were partly offset by the possession of objects representative of wealth such as shares in paper form.
The stock certificate was the last bastion of a physical and material representation of wealth. Paper that deprives goods, machinery, desks, men and women of matter and blood and which is definitively extinguished at the digital frontier, becoming mere information, shreds of bits supported by other shared substructures that are defined as real for this reason alone. , the fragile reality, therefore, the theme of philosophical and artistic investigation of the collective WB.
WhiteBlood interpretation of the titles
The collective exhumes the paper and the title, now devoid of any value and charges it with substance, art, color and human warmth and thus takes back materiality, strength, value, humanity, uniqueness, gravitational dance between opposing values that disorients, annihilates and which evokes the primordial pheromone of possession, of control, an archaic thrust in the human being.
The paper thus becomes real again, in its ecosystem which brings back into reality the value, the money, the work that that paper represented or pretended to represent.
The title had value because it represented a value recognized by the reference system. The paper stock option today comes back to life and becomes Art.
Art that takes on value and therefore returns to being a commodity and to be exchanged between collectors capable of understanding the multiple vibrations and conceptual alliterations that this Work can offer.
The Meaning
The Napster work is heavy, full of meaning, it represents dissolution and recomposition, it presents a point of contact with the title because art exists, if enjoyed, possessed, touched, exchanged.
And all these meanings seem compressed in the Work that is pushed, broken, compressed, enclosed, dissolved and reassembled with sudden and uncontrolled escapes. The desire for contact and possession is also amplified by a lively, seething, erotic and rampant aesthetic.
Napster is the first work to be represented as a single work composed of the original stock of Napster Inc.
Napster, Inc. was a pioneer of music sharing via the internet, questioning the conceptual and legal framework within which the musical work was protected and the investigation of the collective lends itself to unleashing conceptual, legal and social reflections with their work. about the untouchability of the Art that Napster vainly sought to demolish.
Napster has spread the idea that art belongs to everyone and that the legal enclosures in which it is compressed are fallacious, fragile reference systems that need a total rethinking so that art returns to being vivid and alive.
Future work
The next work on the Pheromone theme is ‘Oil Art Wall’ already commissioned and which leads the collective to the creation of a wall dedicated to a famous Oil Company to recall the links to the Cracking art project.
The wall will be made up of 9 original pieces and loaded with artistic warmth from our collective of artists and craftsmen.
This will be followed by another work “Pfizer Wall” which leads the collective to the creation of a wall dedicated to the Pfizer Pharmaceutical company capable of offering a historical and current cross-section of contemporary society.
Durante reveals the new fine artworks totally handmade on recycled carbon fibres in artistic collaboration with the Whiteblood Foundation
26 April 2022
The “Seven Seas” is a new fine artwork concept made by hand entirely in recycled carbon fiber (the live carbon).
The artwork is the exclusive result of the artistic merging of design, materials and prototyping of our artist and technicians. The Collections is a masterpiece of combination of art, technology, experience and specialized hand manufacture, whose extraordinary workmanship, unique and of rare stylistic value is manifested in every detail, starting from the chromatic balance to the harmony of lines and contours.
The work is thus capable of enhancing the table and the foods offered and presented to the guest in a unique setting capable of enhancing the colors, textures and shapes of the food, allowing the chef a unique and unattainable stage.
The collection could be created on demand, using motifs or hand painting that act as a reference to art plovers , thus rediscovering spaces, emotions and sensations of nautical contexts characterized by a stylistic and cultural caliber.
Our group, an active member of the Whiteblood Art Foundation, has been engaged for many years in the fields of advanced research and high-tech materials and, in the spirit of its founders, pursues and pursues with its work an artistic aim capable of embellishing and emblazoning every single realization.
‘Art leads us with kindness and passion, through high technology, towards new exemplary beauties of circular economy’
Dr. Eng. Sergio Durante presents new artworks made on recycled carbon fibres in collaboration with Cracking Art and the Whiteblood Foundation
26 April 2022
The link between Technology and Sustainability that has always accompanied Durante industries strategy, married the Cracking Art philosophy, in an even more intense commitment.
Today we need to work by minimizing waste, reducing the environmental impact, following the Circular Economy, creating new models of production and consumption that involves sharing, lending, reuse, repair, reconditioning and recycling of existing materials and products for as long as possible.
This pushes the artistic collective towards the use of the second life of some high-performance materials.
The message of Durante and Cracking Art is now even stronger and sees the launch of a new super exclusive collection of limited-edition Artworks in Recycled Carbon.
PLASTIC AND CARBON: A COMMON ORIGIN
Just like Plastic, Carbon also sees its origin from oil.
Acrylonitrile is, in fact, a chemical produced through a complex oil-based process on an industrial scale. The fibers are obtained from synthetic chemical compounds derived from coal and petroleum reduced to filaments of various lengths.
Among the characteristics of carbon fiber stand out the high mechanical strength, lightness, thermal insulation capacity, resistance to temperature changes and to the effect of chemicals.
RECYCLED CARBON AND ARTWORKS
The process of creation of the Artworks in recycled carbon fiber is particularly complex, both in terms of materials, know-how and handwork skills; it is in fact carried out by gifted specialised personnel that follows the process in its entirety, from the realization of the components to the operations of recovery of the fibers and, together with the collaboration of the artists , works in the creation of Artworks in limited edition.
FROM CATALYTIC CRACKING TO A PHYSICAL RUPTURE.
The term Cracking Art comes from the English verb “to crack” and describes the act of breaking, collapsing. With the name of catalytic cracking is also called the chemical reaction that transforms crude oil into plastic: for the Artists this is the moment when the natural becomes artificial, the organic is transformed into synthetic, and it is this process that they intend to represent through their art.
Similar process happens with the recycled carbon fibres, where the end-of-life components are reduced to their original basic materials through a complex process.
Every sculpture is unique and special because it comes from a physical break, from the piece of a car, the wing of an airplane, or from the mast of a competition boat, to cite some examples.
Each piece is totally handmade, supervised at each stage and customized. Starting from the material of origin and the artistic flair that intervenes from time to time, we witness the birth of a modern Prometheus that through its uniqueness becomes the vehicle of a powerful message.
THE PENGUIN, THE FIRST ARTWORK
The first artwork is the famous Cracking Art Penguin, chosen for its strong symbolism: it is a social animal whose survival is linked to the problem of global warming and the consequent melting of the ice.
The Penguin, a much-loved animal but constantly endangered, reminds us of the fundamental commitment to reduce CO2 emissions.
The material that composes it comes from a Porsche Prototype race car.
The Penguin in recycled carbon is a limited edition artwork realised in 8 copies, signed and numbered.
49 x 48 x 120 cm 19,2 x 18,8 x 47,2 in
THE CAR DONOR OF THE CARBON FIBRES
This car has a rich history of events and emotions.
Born as a road sports car in 1999 it was acquired by Ing. Sergio Durante after a few years of life in traffic, to be transformed into a race car for ice rallies and uphill races.
The original body has been completely rebuilt in carbon fiber to drastically reduce the weight, essential in ice racing, the enhanced engine and all internal parts modified for the safety of drivers. The car has distinguished itself with results of extreme value.
It participated and succeeed in famous endurance races such as the Ronde Hinvernale. It competed also in the 12Hours on Ice, in France on famous circuits such as Serre Chevalier, winning events, and shone in the Ice Series on the Italian and Austrian Alps. During the summer season it won the famous European Mountain Championship of Cesana Sestriere three times in a row in its extreme category.
The most stressed pieces, such as the bumpers and the rear wing were disassembled and subjected to the process of recovering carbon fibers, and then reused in the creation of an iconic animal such as the penguin Cracking Art.
Ice Challenge 2019: D4S main sponsor of the International Championship
2019: we decided to support the fast growing International Championship Ice Challenge.
5 races in Italy and France, new program to annex Austria and Finland in the next year, beautiful cars, famous drivers, television and internet covering.
These are just some of the motivation to push us to be involved in first person. Apart passion, of course…
First race in Livigno:
Starting with the right foot the White Series valid for the Italian championship. Show and competitiion on the track are not disturbed, rather they are exalted, from the snow that begins to fall in the night before the race, continuing to fall throughout the day. A success in the Time Attack race for the young driver Alessio Bormolini, thanks to the best time in two of the three heats on Ivan Carmellino, with his young brother Michele, with whom he shared the Škoda Fabia R5, to complete the podium. To Christian Tiramani the ranking of the Kart Cross. The spectacular Master King is conquered by Sergio Durante. Next meeting January 26-27 in Pragelato.
Sergio Durante in action: photo by Alberto Caldani
Ice Racing 2020: D4S main sponsor of the International Championship in France
2020: Dr. Eng. Sergio Durante and the D4S Motorsport main protagonist in the Ice racing events in France.
This year the development of the new racecar for ice racing, designed by dr. Eng. Sergio Durante is the center of the tactic of the company D4S Motorsport. This activity is carried out through extensive testing in the races with the prototype.
