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AVATAR the new recycled carbon artwork

Sergio Durante reveals the new fine artworks totally handmade on recycled carbon fibres

1 December 2022

The background

As already highlighted in the Napster, man is, at the same time, a fugitive from danger but greedy for gains. The creepy AVATAR represents, at the same time, a virtuosity in the processing of recycled carbon fibers, and an extremely impressive and visually powerful work. Entirely made of recycled carbon, it rests on another carbon work that develops vertically in three dimensions.

The meaning

 The AVATAR, as a mask and disguise for which anyone can be anything, may appear to be an instrument of freedom, revenge and catharsis. But no: it imprisons and forces us into a false and inconsistent reality. In his investigation, White Blood reveals the deception and through art staging the opposite process. It is the avatar, the fictional character who exists only in the metaverse, who now emerges to become more concrete and tangible than reality itself. The shapeless magma of carbon fiber lends itself perfectly to immortalizing the moment in which the lie is revealed and becomes a physical object by appropriating a material, recycled carbon, which belonged to something that is no longer in the world and which now adapts to represent an object of the imagination that comes to life.

WhiteBlood ‘The Napster’

WhiteBlood Foundation reveals the new fine artworks totally handmade on recycled carbon fibres

http://whiteblood.org

16 July 2022

The background

As already highlighted in WhiteBlood Napster, man is, at the same time, a fugitive from danger but greedy for gains.

This is the principle underlying the analytical richness of the philosophy of the great Nicolo Machiavelli.

The dematerialization of wealth creates insecurity in man, but driven by greed, man is driven to ever more daring financial speculations which have been partially offset by the possession of objects representative of wealth such as shares in paper form.
The stock was the last bastion of a physical and material representation of wealth.
Paper that deprives goods, machinery, desks, men and women of matter and blood and which is definitively extinguished at the digital frontier, becoming simple information, shreds of bits supported by other shared substructures that are defined as real for this reason alone. , the fragile reality, therefore, the theme of the philosophical and artistic investigation of the WhiteBlood collective.

The collective exhumes the paper and the title, now devoid of any value and charges it with substance, art, color and human warmth and thus takes up materiality, strength, value, humanity, uniqueness, gravitational dance between opposite values ​​that disorients, annihilates and that it evokes the primordial pheromone of possession, of control, an archaic thrust in the human being.

The paper thus returns to being real, in its ecosystem that actually brings back the value, the money, the work that that paper represented or claimed to represent.

The title had value because it represented a value recognized by the reference system. The stock title lives on today and becomes Art.

Art that takes on value and therefore returns to being a commodity and to be exchanged between collectors capable of grasping the multiple vibrations and conceptual alliterations that this Work can offer.

The meaning

Pfizer’s work is heavy, full of meaning, it represents dissolution and recomposition, it presents a point of contact with the title because art exists, if enjoyed, possessed, touched, exchanged.

And all these meanings seem compressed in the Work which is pushed, broken, compressed, closed, dissolved and reassembled with sudden and uncontrolled escapes.

the desire for contact and possession is also amplified by a lively, seething, erotic and rampant aesthetic.

Pfizer is the first work to be represented as a 9-piece original artwork from Pfizer Inc.

The present work “Pfizer Wall” which leads the collective to the creation of a wall dedicated to the pharmaceutical company Pfizer capable of offering a historical and current cross-section of contemporary society.

The wall will be composed of 9 original pieces and full of the artistic warmth of our collective of artists, researchers and craftsmen.

WhiteBlood ‘The Napster’

WhiteBlood Foundation reveals the new fine artworks totally handmade on recycled carbon fibres

http://whiteblood.org

15 July 2022

Man is a fugitive from dangers but also greedy for gains. This is the principle underlying the analytical richness of Machiavelli’s philosophy.

The dematerialization of wealth creates insecurity in man but driven by greed, man is pushed to ever more daring financial speculations which were partly offset by the possession of objects representative of wealth such as shares in paper form.

The stock certificate was the last bastion of a physical and material representation of wealth.
Paper that deprives goods, machinery, desks, men and women of matter and blood and which is definitively extinguished at the digital frontier, becoming mere information, shreds of bits supported by other shared substructures that are defined as real for this reason alone. , the fragile reality, therefore, the theme of philosophical and artistic investigation of the collective WB.

WhiteBlood interpretation of the titles

The collective exhumes the paper and the title, now devoid of any value and charges it with substance, art, color and human warmth and thus takes back materiality, strength, value, humanity, uniqueness, gravitational dance between opposing values ​​that disorients, annihilates and which evokes the primordial pheromone of possession, of control, an archaic thrust in the human being.

The paper thus becomes real again, in its ecosystem which brings back into reality the value, the money, the work that that paper represented or pretended to represent.

The title had value because it represented a value recognized by the reference system. The paper stock option today comes back to life and becomes Art.

Art that takes on value and therefore returns to being a commodity and to be exchanged between collectors capable of understanding the multiple vibrations and conceptual alliterations that this Work can offer.

The Meaning

The Napster work is heavy, full of meaning, it represents dissolution and recomposition, it presents a point of contact with the title because art exists, if enjoyed, possessed, touched, exchanged.

And all these meanings seem compressed in the Work that is pushed, broken, compressed, enclosed, dissolved and reassembled with sudden and uncontrolled escapes. The desire for contact and possession is also amplified by a lively, seething, erotic and rampant aesthetic.

Napster is the first work to be represented as a single work composed of the original stock of Napster Inc.

Napster, Inc. was a pioneer of music sharing via the internet, questioning the conceptual and legal framework within which the musical work was protected and the investigation of the collective lends itself to unleashing conceptual, legal and social reflections with their work. about the untouchability of the Art that Napster vainly sought to demolish.

Napster has spread the idea that art belongs to everyone and that the legal enclosures in which it is compressed are fallacious, fragile reference systems that need a total rethinking so that art returns to being vivid and alive.

Future work

The next work on the Pheromone theme is ‘Oil Art Wall’ already commissioned and which leads the collective to the creation of a wall dedicated to a famous Oil Company to recall the links to the Cracking art project.

The wall will be made up of 9 original pieces and loaded with artistic warmth from our collective of artists and craftsmen.

This will be followed by another work “Pfizer Wall” which leads the collective to the creation of a wall dedicated to the Pfizer Pharmaceutical company capable of offering a historical and current cross-section of contemporary society.